Hand Span and Digital Motion on the Keyboard: Concerns of Overuse Syndrome in Musicians

Naotaka Sakai, Michael C. Liu, Fong Chin Su, Allen T. Bishop, Kai Nan An

Research output: Contribution to journalArticlepeer-review

33 Citations (Scopus)

Abstract

Purpose: To investigate the hand motion of pianists when they performed an octave and a chord, which accounted for 74% of the piano techniques that the subjects practiced at the onset of overuse hand problems. The octave position was to strike 2 keys that were 16.7 cm apart simultaneously with the thumb and small finger, and the chord position was to strike 3 keys with 4.8 cm between the borders. Methods: The abduction angle of both the thumbs and the small fingers of 10 pianists while playing a chord and an octave were measured repeatedly with a video-based passive marker detection system. The angles were compared between pianists with large hand spans and those with small hand spans. Results: When playing the octave both the maximal and minimal abduction angles of the thumb were significantly larger for the smaller-hand pianists as compared with the pianists with larger hand spans. When playing the chord the maximal abduction angle of the thumb of small-hand-span pianists was significantly larger than that of large-hand-span pianists. The abduction of the small finger, however, did not differ during performance of either the octave or the chord. Conclusions: These results suggest that the small-hand-span pianists must abduct the thumb more than large-hand-span pianists while minimizing movement of the small finger. This may cause de Quervain's tenosynovitis in pianists.

Original languageEnglish
Pages (from-to)830-835
Number of pages6
JournalJournal of Hand Surgery
Volume31
Issue number5
DOIs
Publication statusPublished - 2006 May 1

All Science Journal Classification (ASJC) codes

  • Surgery
  • Orthopedics and Sports Medicine

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