TY - JOUR
T1 - Stylized rendering using samples of a painted image
AU - Yan, Chung Ren
AU - Chi, Ming Te
AU - Lee, Tong Yee
AU - Lin, Wen Chieh
N1 - Funding Information:
The authors thank the reviewers for their insightful comments. They also thank the AIM@SHAPE Shape Repository, Stanford 3D Scanning Repository, Stanford Digital Michelangelo Project, and Large Geometric Models Archive, Georgia Institute of Technology (Georgia Tech), for sharing their various models. Fig. 14a is courtesy of the authors of the lit sphere approach [18]. This work is supported by the Landmark Program of the NCKU Top University Project under Contract B0008 and is supported in part by the National Science Council under Contracts NSC-96-2628-E-006-200-MY3 and NSC-96-2221-E-009-152-MY3. For correspondence, please contact Professor Tong-Yee Lee at [email protected]
PY - 2008/3
Y1 - 2008/3
N2 - We introduce a novel technique to generate painterly art maps (PAMs) for 3D nonphotorealistic rendering. Our technique can automatically transfer brushstroke textures and color changes to 3D models from samples of a painted image. Therefore, the generation of stylized images or animation in the style of a given artwork can be achieved. This new approach works particularly well for a rich variety of brushstrokes ranging from simple 1D and 2D line-art strokes to very complicated ones with significant variations in stroke characteristics. During the rendering or animation process, the coherence of brushstroke textures and color changes over 3D surfaces can be well maintained. With PAM, we can also easily generate the illusion of flow animation over a 3D surface to convey the shape of a model.
AB - We introduce a novel technique to generate painterly art maps (PAMs) for 3D nonphotorealistic rendering. Our technique can automatically transfer brushstroke textures and color changes to 3D models from samples of a painted image. Therefore, the generation of stylized images or animation in the style of a given artwork can be achieved. This new approach works particularly well for a rich variety of brushstrokes ranging from simple 1D and 2D line-art strokes to very complicated ones with significant variations in stroke characteristics. During the rendering or animation process, the coherence of brushstroke textures and color changes over 3D surfaces can be well maintained. With PAM, we can also easily generate the illusion of flow animation over a 3D surface to convey the shape of a model.
UR - http://www.scopus.com/inward/record.url?scp=38649136196&partnerID=8YFLogxK
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U2 - 10.1109/TVCG.2007.70440
DO - 10.1109/TVCG.2007.70440
M3 - Article
C2 - 18192723
AN - SCOPUS:38649136196
SN - 1077-2626
VL - 14
SP - 468
EP - 480
JO - IEEE Transactions on Visualization and Computer Graphics
JF - IEEE Transactions on Visualization and Computer Graphics
IS - 2
ER -