This thesis is based on the poetries of the poet of Yu Xiuhua（1976－）, as the research text, explores the poetry from the "word" itself. The "Real" and its extended controversy. First of all, comb the meaning of "Real" in the context of ancient and modern poetry, and watch the position of "Real" in Yu Xiuhua's poems. Taking the poetic theory of French philosopher of Gaston Bachelard（1884-1962） as the starting point of poetry, he watched Yu Xiuhua's motives for cultivating poetry, the speculation of inner desire and the development of "Real" on imagery. It also analyzes the high-tension state that "Real" appears in the imagery, and the elements that frequently appear in the poem when constructing the dream world. The four elements of "Water", "Fire", "Color" and "Plant" to explained. Let Yu Xiuhua's "Real" appear in the dream of poetry, and then form a poetic space. To continue, explore the role of Yu Xiuhua's "Real" in its "controversy" phenomenon.
Keyword：Yu Xiuhua, The poetics of reveries, The Poetic of Space, Gaston Bachelard
According to the year of publication, Yu xiuhua was a poet who started her career in 2015. However, neither Taiwan nor the mainland has published a book dedicated to her poems or poetic skills. Her published works so far include: the rickety world and moonlight falls on her left hand in 2015, we loved and forgot in 2016, joy without cause in 2018, and on earth in 2019. Yu Xiuhua is Internet way except for the poet, so this paper will also its on the Internet platform "sina blog" has been published, but not included in the published poetry anthology of poetry, the author calculated and estimated to 744, this paper will also be the big number into the research scope, and its documentary rickety the world as a reference.This article divides the dispute into three parts: "disability, lust and marriage", "bottom farmer and village reform", "the excitement of poetry" Warm up" for combing. Therefore, in reading poetry, first the "events" insulation from the poem, the word meaning as a first step, then we can tell from the language structure found in "word" creative coordinates, and then, in turn, suppressing its implications, and then back to the "events" itself, thinking when poets describe object of experience.Through the interrelationship between "Real" and "controversy", we interpret poetry from the "word" itself, analyze the composition of poetic imagery and aesthetic experience, and hoping to be able to In the field of "Yu Xiuhua's Poetry Study", and provides a new way of thinking to get into the Yu Xiuhua's poetry.
MATERIALS AND METHODS
This studies was quoting the French philosopher of Gaston Bachelard's " The Poetic of Space ", " On Poetic Imagination and Reverie ", " Psychoanalysis of Fire "`," essai sur l'imagination de la matiere"of elemental poetics and other poetic theories, as the interpretation of poetry, grasp the steps of imagery, so as to watch Yu Xiuhua's poetry, to see the dream world, she through the small affairs of the view, close to the details of life, In order to expand her poetry space, this paper takes the four elements of "Water", "Fire", "Color" and "Plant" to explained. Let Yu Xiuhua's "Real" appear in the dream of poetry, the starting point to explore her poetry. To explore, in-depth Yu Xiuhua poetry, explore the charm and sincerity of her poetry, and excavate the existence of images. Moreover, citing the realm of Yu Xiuhua's poetry space in The Twenty-Four Poems of Sikong Tu, to define the appearance of his poetry, and to lay more foundation on Yu Xiuhua's diversity in poetry creation, while watching Yu Xiuhua's implied emotional movement in poetry with the argument of psychologist Lagan, and analyzing the real appearance of her handling of her emotions, The text is divided into three categories of processing, one is the juxtaposition of narcissism and inferiority, the other is the existence of the ideal, and the other is the rendering of the desire for death.
RESULTS AND DISCUSSION
By looking at the "truth" in Yu xiuhua's poems, this study, by means of image exploration and poetic analysis, learns that his poems expand poetic space by image and increase the flexibility of his poems by deepening his inner self. At the same time, it found that the elements of the organization dream space were diversified and appeared in a large number of times. Quite suitable for further development. The " Real " of yu xiuhua's poems corresponds to the controversy caused by her poems. In addition to overinterpreting the appreciation of poems, it can show the sincerity, sincerity and authenticity of her poems.
Summarizing the above, extending from the elements of imagery, establishing the original intention and development of the image, and its implied style, then exploring the formation of its dream world, deeply into the organization of its poetic space, and from which to get a glimpse of the processing and presentation of its writing subject matter, so as to establish the " Real " in Yu Xiuhua's poetry, and returned to her controversial events, watch this "Real " in the role of the poems, and the relationship between the two. In this paper, the "word" as read the clues Yu Xiuhua poetry, let the Yu Xiuhua poem "word" in the play the entities, and the taste of the preset position first, after the controversial phenomenon in the poetry reading, or even the composition of the force to capture the poet images, poetry " Real ", appeared in the dream, arrived in the poetic space.
|Date of Award||2019|
|Supervisor||Man-Han Yung (Supervisor)|