Abstract
This thesis about the poet Su Qian in Avant-garde Poetry in China. To look back the study result on the Avant-garde Poetry in lately thirty years, both in mainland China and Taiwan, research and development overview as the base resources for this thesis.In the language part, to search the "light" in the poems of Su Qian, transforming into a classical aesthetic critic way of "Dan". It based on a comparison of reconstruction in which the vision to establish the "Dan", in light during the position.
The research part of poetic language, to explore the "light" way of thinking as the words in the poems of Su Qian as a way of "light", as "Dan" aesthetics of the track, the way the Chinese classical tasting "Dan" aesthetics involved in the analysis of contemporary poetry.
Su Qian grasp the poem's "light"; then its "light" as a manifestation of language, bacome a type of "nonsense", as a form of language. This thesis also display a new generation of mobile poetic language, and this is starting to "light", and the skills to carry out the distractions, how to make it in the poets writing within the time the emergence of a unique appearance.
This paper tries to light through this young poet Su Qian, to open a unique way from "light" to "dan" ,and how to transform in the words and in the language form, resulting in a unique aesthetic effect.
| Date of Award | 2012 |
|---|---|
| Original language | Chinese |
| Supervisor | Man-Han Yung (Supervisor) |