Abstract
Rahic. Talif created with specific found-objects such as driftwood, discarded slippers and plastic fragments. His reflection on the drifting state of objects reflects his own exploration of the subject's state, his reflection on the dissolution of tribal culture, and the scene of intertwining with people and the natural environment; by continuously linking past tribal culture. The meaning of the new life of the end of the drifting waste pieces has become the core of the proposition of the work. He uses the material, spirit and meaning of the object as the main vocabulary of artistic creation, which really makes sense in the work, just like Gilles Deleuze's "corps / event", which persists in the inner connection of the entity; and this is exactly the same when the object is an entity, the state of the production of meaning will be extremely rich in chances and possibilities, presenting a direction that cannot be adjusted or predicted like Deleuze's so-called nomadic direction.The structure of this article is divided into driftwood and marine waste by the main types, propositions and unique techniques. It also analyzes the works by analyzing the artistic shapes and styles, supplemented by Ami life history and cultural related literature, in response to the author's attempt to connect the features of Rahic with "drifting" and "nomad". The meaning is generated by the drifting of surviving objects, with a space of nomadic energy. Such unknown and possible echoes the bumps in the way of exploring the subject's state, and it really makes the work have multiple complicated references.
| Date of Award | 2020 |
|---|---|
| Original language | Chinese (Traditional) |
| Supervisor | Ya-Lun Wang (Supervisor) |